Through the Eyes of Buddha Salsal by Naemat Wardak Explore Mondoir Studio Medium: Oil on Canvas Dimensions: 40 x 50 cm Year: 2025 Price: $6930.00 USD Status: available This oil painting reflects my connection to the empty space left by Buddha Salsal in Bamiyan. I use geometric forms, layered planes, and contrasting light to turn absence into a visual memory. The mountains remain solid while the missing figure becomes the emotional center of the work. For me, it is not simply about a destroyed monument, it is about what happens when history disappears and we are left carrying its memory. I wanted the painting to preserve a connection to Afghanistan’s past while speaking about loss, identity, and the things that remain. Why collect this work?Through the Eyes of Buddha Salsal places a small mountain vista behind several angular enclosures, making restricted sight the painting’s central event. The inaccessible landscape gives absence a spatial structure rather than illustrating destruction directly. Wardak states that his paintings draw on memories he cannot fully verbalize. His account identifies the void left by Buddha Salsal in Bamiyan as this work’s subject, connecting its obstructed view to remembered cultural loss.In the photograph, broad bands repeatedly narrow the scene toward peaks, clouds and a green route. Above them, one circular form is interrupted by a bar while another remains unobscured, setting partial vision against apparent wholeness.The documented oil on canvas allows flat-edged areas and softly modeled forms to occupy the same surface. That contrast makes the enclosure seem constructed, while the landscape appears more atmospheric and remote.Dated 2025, the painting suits study alongside works addressing damaged heritage because it refuses reconstruction. Its significance lies in showing how a missing monument can continue to organize perception and memory. About the ArtistNaemat Wardak Naemat Wardak is an artist on Mondoir Studio. Artistic discipline: painting. Based in Kabul, AF. Nationality: Afghan I paint because there are things I remember that I cannot fully put into words.